Where are you currently employed?
Disney/20th Television.
Current projects?
“The Chi” on Showtime.
Describe your job.
As an assistant editor in scripted TV, I primarily use Avid Media Composer editing software. I’m responsible for organizing and labeling footage and elements in the project to ensure a smooth workflow for the editor. Once scenes are assembled, I’ll assist in sound design and scoring temp music.
Occasionally, I’ll create temporary composites for visual effect shots that help tell the story. For shows heavy with visual effects, if there’s a dedicated visual effects editor or assistant, I’ll work closely with them to be sure they have all the materials they need to create temp visual effects and manage the effects in the project.
While my role focuses on supporting the project and creating outputs for review, I may also contribute creatively by editing scenes and addressing notes from the director or producers. After the cut is locked, I’ll work on turning over the project to the online, visual effects, sound, and music teams to begin mastering the show. During this phase, I help the post-producing team finalize each episode. Overall, my job is to help support the editor and streamline the editing process.
How did you first become interested in this line of work?
Honestly, it happened by chance. Editing wasn’t always a clear passion for me. We didn’t have an official editing program in college, but there was a summer course on Final Cut Pro. I took it because I wanted to work in the film industry, though I hadn’t yet decided on a specific department. I was in the Media Arts & Technology program where the classes focused mostly on film pre-production and production. When they offered a post-production class, I decided to give it a chance and instantly fell in love with editing. Seeing how differently my classmates cut the same footage amazed me; it highlighted the unique creative possibilities within editing. I left the class feeling inspired and eager to do more. That’s when I knew I wanted to become an editor.
Who gave you your first break?
My first year at EditFest, I met Sarah E. Williams, an assistant editor who mentioned that her show was looking for more assistant editors. She connected me to Frank Salinas, the show’s supervising producer with years of post-production experience, and he hired me for my first unscripted TV show, “S.T.R.O.N.G.,” on NBC. It was a fitness competition show hosted by former U.S. volleyball champion Gabrielle Reece
What was your first union job?
The unscripted show that had hired me! A few weeks into production, the show turned union — so that became my first union job! Anyone working for a company when it goes union instantly becomes a union member. Because I was “grandfathered” in, my initiation fee was waived and I could work around some of the qualifications typically required to join. To join the Industry Experience Roster and the Editor’s Guild, you need 100 days of non-union work experience and proof of payment. My work experience before this union job didn’t meet the requirements of either the Local 700 Agreement or the Videotape Supplemental Agreement, so I had no work days that would qualify me. But because I was hired through this union job, I could submit my first 100 days of work on the show to complete my membership.
What credits or projects are you proudest of, and why?
I’m very proud of Season 1 of “David Makes Man.” I had an incredible time working on this project and the team was fantastic. The writing, directing, and editing were beautifully executed. It was a coming-of-age drama about David, a highly gifted student who faces the harsh realities of his home life and poor neighborhood while trying to balance schoolwork. It felt unique to me because stories about middle schoolers are often shown in a more light-hearted way. “David Makes Man” was dramatized and stylized in a more artistic way that you don’t see in many teenage coming-of-age stories. This project moved me, and I’m grateful to have been a part of it.
What was your biggest challenge in your job (or on a particular project) and how did you overcome/solve it?
My biggest challenge has been reading the room when working with producers. I tend to be reserved in team settings, especially in person (as opposed to Zoom). There have been times when I wanted to contribute but felt too self-conscious to speak up. I’ve learned that understanding how to read a room is key, especially knowing when to speak up at the right moment in a way that best supports my editor.
What was the most fun you’ve had at work?
Working on “Abbott Elementary.” It was my first time working at the Warner Bros. lot and I loved being so close to our sets. The penultimate episode of Season 3 was set at the historic Smith Memorial Playground in Philadelphia, one of the first playgrounds in the country. The production team recreated the iconic 44-foot wooden slide, which is about 12 feet wide and designed for multiple kids to ride down at once. After we finished filming, the cast and crew were invited to try it out. I went down the slide three or four times. It was such a blast and made me feel like a kid again!
Jobwise, what do you hope to be doing five years from now?
In five years, I hope to have booked a full-time editing position.
What are your outside activities, hobbies, passions?
I love being creative and getting crafty. One of my favorite creative outlets is making stationery products — notebooks, notepads. I’m also a huge foodie and I love to travel, so when I’m not working, I’m on the lookout for a new restaurant or my next travel destination.
Favorite movie(s)? Why?
My favorite movies tend to change depending on my mood and what I’m going through, but I always love a good coming-of-age story. My current favorites are “The Half of It” and “Didi.” Both films are well made and have a good representation of first-generation Asian American families. As a first-generation Asian American, I didn’t see much of that growing up. In “Didi,” there’s a moment when Chris’ mom explains why she chose to move to America for her kids despite the challenges. It was similar to a conversation I’d had with my mom, so I was deeply moved to see something so personal appear on screen.
Favorite TV program(s)? Why?
I enjoy sci-fi/dystopia shows like “Stranger Things,” “Altered Carbon,” “Black Mirror,” and “The Handmaid’s Tale.” I like shows that explore different worlds and alternate realities. I also love watching Korean dramas, like “Start-Up” and “Itaewon Class.” What I love about K-dramas is the storytelling; they can make you feel every emotion in just one scene.
Do you have an industry mentor?
I’m fortunate to have many mentors. Editors Jordan Goldman, ACE, Sarah Zeitlin, Susan Vaill, ACE, and Scott Powell, ACE, have coached me throughout my career. They have always been my biggest supporters, and I’m honored to have shared co-editing credits with them. They taught me Avid tips and tricks, what it takes to succeed as an editor, and how to use the best performances to shape the strongest scenes. I know I can always rely on their advice. Every editor I’ve had the privilege to work with has shared valuable lessons, and I strive to incorporate that knowledge into my work every day.
What advice would you offer someone interested in pursuing your line of work?
First, learn to anticipate what’s coming next in the workday or schedule. Being proactive will keep you ahead of the game and help you stay organized while assisting your editor. Second (and maybe most important), network as much as you can. Our industry is filled with talented assistant editors and editors willing to help support and guide you through your career. Finally, if you want to become an editor, edit as much as you can. Hands-on experience is always the best way to learn.
Was there ever a circumstance when you had to rely on the Guild for help or assistance?
Fortunately, I haven’t had to rely on the Guild for help yet, but I know that if I ever need that help, they are just a phone call and/or email away.
Is there anything you’d like to say to your fellow Guild members, any words of encouragement?
I’m proud to be a part of the Guild. As I mentioned, there are many talented people here, and many are willing to offer support and pay it forward. Don’t hesitate to reach out when you need help. Keep pushing on, you’ve got this!